000			02193cam a2200325 i 4500
001			22103539
003			GR-PaULI
005			20240531130927.0
008			240531t20222022enka g b 001 0 eng d
010			_a 2021942064
020			_a9781350144569 _q(PB)
020			_a1350144568 _q(PB)
020			_a9781350144576 _q(HB)
020			_a1350144576 _q(HB)
020			_z9781350144590 _q(ePDF)
020			_z9781350144583 _q(eBook)
040			_aYDX _bgre _cYDX _eAACR2 _dBDX _dUKMGB _dOCLCF _dOCLCO _dCDX _dOCLCO _dDLC _dGR-PaULI
082	0	0	_a882.010 9 _223
100	1		_aFletcher, Judith, _eσυγγραφέας
245	1	0	_aClassical Greek tragedy / _cJudith Fletcher.
260			_aLondon : _bMethuen Drama, _c2022.
300			_axii, 161 σ. : _bεικ. ; _c20 εκ.
490	0		_aForms of drama
504			_aΠεριλαμβάνει βιβλιογραφία και ευρετήριο.
520			_a"...This book traces the historical development of these dynamics through three representative tragedies that span a 50 year period: Aeschylus' Seven Against Thebes, Sophocles' Oedipus Tyrannus, and Euripides' Helen. Topics include the role of the chorus; the tragic hero; recurring mythical characters and subject matter; Aristotelian assessments of the components of tragedy; developments in the architecture of the theater and their impact on the interactions of characters, and the spaces they occupy. Unifying these discussions is the observation that the genre articulates a reality beyond the visible stage action that intersects with the characters' existence in the present moment and resonates with the audience's religious beliefs and collective psychology. Human voices within the performance space articulate powerful forces from an invisible dimension that are activated by oaths, hymns, curses and prayers, and respond in the form of oracles and prophecies, forms of discourse which were profoundly meaningful to those who watched the original productions of tragedy."
650		4	_aΕλληνικό δράμα (Τραγωδία) _xΙστορία και κριτική _95832
830			_9203919 _aForms of drama
942			_2ddc _cBK15
998			_cΜΑΝΙΑ _d2024-05
999			_c221291 _d221291