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001			23250729
003			GR-PaULI
005			20240501113659.0
008			240501t20222022stka g b 001 0 eng d
010			_a 2023448444
020			_a9781474458993 _qhardcover
020			_a1474458998 _qhardcover
040			_aYDX _bgre _eAACR2 _cYDX _dYDX _dOCLCF _dBDX _dGZM _dOCLCO _dOCLCL _dDLC _dGR-PaULI
082	0	4	_a791.430 949 5 _223
245	0	0	_aGreek Film Noir / _cEdited by Anna Poupou, Nikitas Fessas and Maria Chalkou.
260			_aEdinburgh : _bEdinburgh University Press, _c2022.
300			_axxiii, 311 σ. : _bεικ. ; _c24 εκ.
490	1		_aTraditions in World Cinema
504			_aΠεριλαμβάνει βιβλιογραφία και ευρετήριο.
505	0	0	_tFrontmatter -- _tCONTENTS -- _tList of Figures -- _tAcknowledgements -- _tContributors -- _tTraditions in World Cinema -- _tForeword -- _tIntroduction -- _tPART I. PARTNERS IN CRIME: RECEPTIONS, AFFINITIES, HYBRIDITIES -- _t1 There Will Be Ogres: The Interstitial Aesthetics of Film Noir in the Early Films of Nikos Koundouros -- _t2 Of Mice, Men and Greek Film Noir: The Little Mouse -- _t3 Historical Coincidence or Generic Cross-Pollination? The Angry Hills and the Birth of Film Noir in Greece -- _t4 Noir Backstage: Yannis Maris from Page to Screen -- _t5 Dark Cinema, Dark Sounds: Mimis Plessas and the Integration of Jazz into Greek Film Noir -- _t6 Fatal Absences and Female Gazes: Alternative Femininities in Greek Film Noir and the Psychological Thriller -- _t7 Bums and Dark Alleys: Constructing Queerness in a Mid-1960s Greek Noir -- _tPART II. POLITICAL ASPECTS AND TRANSNATIONAL DYNAMICS OF THE GREEK NEO-NOIR -- _t8 A Dark Intrigue of Murder: Kierion and Reconstruction, or Film Noir as Politics -- _t9 Neo-Noir and 'Becoming-Murderer' in Tonia Marketaki's John the Violent -- _t10 The Unbearable Queerness of Singapore Sling: Towards a Queer Ethics and Politics of Irony -- _t11 Hong Kong and Athens: Contested Spaces of the Global and the Local in the Neo-Noir of John Woo and Alexis Alexiou -- _t12 Darker Worlds Come in Small Packages: Neo-Noir Sensibility in Greek Cypriot Short Films -- _t13 Greek Sleuths and Tough Cops: Noir Masculinities in Television Crime Shows (1992-2020) -- _t14 Mediterranean Film Noir: Twilight Falls on mare nostrum -- _tAppendix: Greek Films and Television Series/Shows Featuring Dominant Noir or Neo-Noir Tropes -- _tIndex
520			_aInvestigates how film noir has been received, adapted and developed in Greece, from the 1940s to the presentTraces the evolution of a scholarly neglected - in the Greek context - film genre; it introduces an original corpus of texts extending from the 1940s to the present Offers a panoramic overview of leading Greek auteur figures, from Nikos Koundouros and Tonia Marketaki to Theo Angelopoulos and Nikos Nikolaidis, viewing their work, for the first time, from a film-noir stylistic and thematic perspectivePresents the cultural context of a noir universe in post-WWII Greece, including: pulp fiction and crime literature, jazz and pop music, media discourses, Greek commercial cinema's advertising and promotional strategiesExplores the historical representations and ideological debates reflected in the Greek film noir in the aftermath of WWII and the Greek Civil War and traces the political re-appropriation of the genre by the left-wing filmmakers of New Greek Cinema during the military junta (1967-1974) Explains the reasons behind the post-2009 crisis revival of the noir genre in contemporary Greek cinema and the Greek Weird WaveConfirms noir's particular tendency to transcend boundaries as it spills out onto other genres, producing innovative hybrids; and its ability to express the gender and socio-political anxieties of its eraPresents an argument for the transnational character of the noir phenomenon and the complex relationship of European cinemas with HollywoodOffering the first comprehensive study of Greek film noir, this book explores the reception and influence of U.S. and European film noir and neo-noir in Greece and their effect on Greek filmmaking. Employing theoretical frameworks from New Film History, it offers a fresh look at underrated or neglected cultural products to provide insights into Greek modernity and reveal the affinities of established Greek auteurs with the film-noir tradition. Firmly establishing Greece on the film noir cinematic map, it provides a panoramic overview of leading Greek auteurs, from Nikos Koundouros and Maria Plyta to Theo Angelopoulos and Nikos Nikolaidis, whose work is innovatively viewed from an angle of film-noir style and thematics --
650		4	_aΚινηματογράφος _zΕλλάδα _xΙστορία _915321
650		4	_aΦιλμ Νουάρ _zΕλλάδα. _9203374
700			_aΠούπου, Άννα, _eεπιμελήτρια _9181738 _d1977-
700			_aΦέσσας, Νικίτας. _eεπιμελητής _9203375
700			_aΧάλκου, Μαρία. _eεπιμελήτρια _9203376
830			_aTraditions in World Cinema _9203373
942			_2ddc _cBK15
998			_cΜΑΝΙΑ _d2024-05
999			_c220859 _d220859