000			02290cam a2200253 i 4500
999			_c216233 _d216233
001			18080838
005			20230328160441.0
008			140325s2019 nyu 001 0 eng
020			_a9781107035195 _qσκληρόδετο
020			_a9781316624913 _qχαρτόδετο
040			_aDLC _bgre _cDLC _eAACR2 _dGR-PaULI
082	0	4	_a881.01 _223
100	1		_aOrmand, Kirk _d1962- _eσυγγραφέας _9110454
245	1	4	_aThe Hesiodic Catalogue of women and archaic Greece / _cKirk Ormand, Oberlin College.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2019.
300			_ax, 265 σ. ; _c24 εκ.
504			_aΠεριλαμβάνει βιβλιογραφικές παραπομπές (σ. 245-256) και ευρετήρια.
505	8		_aMachine generated contents note: 1. Introduction: the Hesiodic Catalogue of Women; 2. The Catalogue and the mystery of the disappearing hedna; 3. Marriage, identity, and the story of Mestra; 4. Atalanta reflects the Iliad; 5. Then there was the one who was Alkmene; 6. The marriage of Helen and the end of the Catalogue; 7. Epilogue: women, middling discourse, and the polis.
520			_a"This book examines the extant fragments of the archaic Greek poem known in antiquity as Hesiod's Catalogue of Women. Kirk Ormand shows that the poem should be read intertextually with other hexameter poetry from the eighth to sixth century BCE, especially Homer, Hesiod, and the Cyclic epics. Through literary interaction with these poems, the Catalogue reflects political and social tensions in the archaic period regarding the production of elite status. In particular, Ormand argues that the Catalogue reacts against the "middling ideology" that came to the fore during the archaic period in Greece, championing traditional aristocratic modes of status. Ormand maintains that the poem's presentation of the end of the heroic age is a reflection of a declining emphasis on nobility of birth in the structures of authority in the emerging sixth century polis"--
600		4	_aΗσίοδος _979254 _d750-700 _xΧαρακτήρες _xΓυναίκες
856	4	2	_3Εικόνα καλύμματος _uhttp://assets.cambridge.org/97811070/35195/cover/9781107035195.jpg
942			_2ddc _cBK
998			_cΓΚΟΓΚΟΥ _d2023-03