000			02940nam a22002537a 4500
003			GR-PaULI
005			20210117210559.0
008			180307s2011 ncua|||f |||| 00| 0 eng d
020			_a9780822349877
040			_aGR-PaULI _bgre _cGR-PaULI
082	0	4	_a709.051 _223
100			_9167656 _aKester, Grant H. _eσυγγραφέας.
245	1	4	_aThe one and the many : _bcontemporary collaborative art in a global context / _cGrant H. Kester.
260			_aDurham [N.C.] : _bDuke University Press, _c2011.
300			_ax, 309 σ. : _bασπρόμ., έγχρ. εικ. ; _c25 εκ.
504			_aΠεριλαμβάνει βιβλιογραφικές αναφορές και ευρετήριο.
505	0		_aFrom text to action -- Park fiction, ala plastica, and dialogue -- The risk of diversity -- Programmatic multiplicity -- Art theory and the post-structuralist canon -- Lessons in futility -- Enclosure acts -- The twelfth seat and the mirrored ceiling -- The atelier as workshop -- Labor, praxis, and representation -- The divided and incomplete subject of yesterday -- Memories of development -- The limits of ethical capitalism -- The art of the locality -- Blindness and insight -- The invention of the public -- The boulevards of the inner city -- Park fiction : desire, resistance, and complicity -- A culture of needles : project row houses in Houston.
520			_a"Collaborative and collective art practices have proliferated around the world over the past fifteen years. In The One and the Many, Grant H. Kester provides an overview of the broader continuum of collaborative art, ranging from the work of artists and groups widely celebrated in the mainstream art world, such as Thomas Hirschhorn, Superflex, Francis Alÿs, and Santiago Sierra, to the less-publicized projects of groups, such as Park Fiction in Hamburg, Networking and Initiatives for Culture and the Arts in Myanmar, Ala Plastica in Argentina, Huit Facettes in Senegal, and Dialogue in central India. The work of these groups often overlaps with the activities of NGOs, activists, and urban planners. Kester argues that these parallels are symptomatic of an important transition in contemporary art practice, as conventional notions of aesthetic autonomy are being redefined and renegotiated. He describes a shift from a concept of art as something envisioned beforehand by the artist and placed before the viewer, to the concept of art as a process of reciprocal creative labor. The One and the Many presents a critical framework that addresses the new forms of agency and identity mobilized by the process of collaborative production."--Publisher description.
650		0	_9166593 _aΚαλλιτεχνική συνεργασία
650		0	_945715 _aΔημιουργία (Λογοτεχνική, καλλιτεχνική κλπ.)
650		0	_93628 _aΤέχνη _xΦιλοσοφία
942			_2ddc _cBK15
998			_cΚΗΠΟΥΡΓΟΥ _d2018-03
999			_c133302 _d133302