000			01878cad a22003257i 4500
999			_c124380 _d124380
001			8863314
005			20210117210149.0
006			m m
007			cr mnummmmuuuu
008			031124s2003 enka f b 001 0 eng d
010			_a2002035001
020			_a0521815681 _q(hbk)
020			_a0521016312
040			_aMiU _bgre _cMiU _dGR-PaULI _eAACR2
041	0		_aeng
082	0	0	_a791.43653 _223
100			_aDika, Vera, _d1951- _9155883
245	1	0	_aRecycled culture in contemporary art and film : _bthe uses of nostalgia / _cVera Dika.
260			_aCambridge, UK ; _aNew York : _bCambridge University Press, _cc2003.
300			_axi, 241 σ. : _bεικ. ; _c24 εκ.
490	1		_aCambridge studies in film
504			_aΠεριλαμβάνει βιβλιογραφία (σ. 231-235) και ευρετήριο.
505	0		_aThe returned image -- Art and film: New York City in the late 1970s: Jack Goldstein, Two fencers, Robert Longo, Cindy Sherman, Amos Poe -- Generic returns - The dream has ended: Badlands, Texas Chainsaw Massacre, The Shootist, The Last Waltz -- Re-considering the nostalgia film: American Graffiti, The Conformist, Rocky Horror Picture Show -- A return to the 1950s - the dangers in Utopia: Grease, Utopia rejected, Last Exit to Brooklyn -- Coppola and Scorsese - authorial views: Apocalypse Now, One From the Heart, The Last Temptation of Christ -- To destroy the sign: The loss of the real, Serialized forms, The return of the classical film Genres, The stalker film, The Western, The gangster/crime film.
650	0	4	_aΝοσταλγία στον κινηματογράφο _9148932
650	0	4	_aΝοσταλγία στην τέχνη _9155884
650	0	4	_aΤέχνη, Αμερικανική _y20ός αιώνας _9104389
830		0	_aCambridge studies in film.
942			_2ddc _cBK15
998			_cΜΑΝΙΑ _d2016-07