The conquered : Byzantium and America on the cusp of modernity / Eleni Kefala.
Τύπος υλικού: ΚείμενοΣειρά: ExtravagantesΛεπτομέρειες δημοσίευσης: Washington : Dumbarton Oaks Research Library and Collection, 2020.Περιγραφή: xiii, 158 σ. : εικ., πανομ., χάρτες ; 24 εκISBN:- 9780884024767
- 808.803 582 23
Τύπος τεκμηρίου | Τρέχουσα βιβλιοθήκη | Ταξιθετικός αριθμός | Αριθμός αντιτύπου | Κατάσταση | Ημερομηνία λήξης | Ραβδοκώδικας |
---|---|---|---|---|---|---|
Book [21] | ΒΚΠ - Πατρα Βασική Συλλογή | 808.803 582 ΚΕΦ (Περιήγηση στο ράφι(Άνοιγμα παρακάτω)) | 1 | Διαθέσιμο | 025000294456 |
Browsing ΒΚΠ - Πατρα shelves, Shelving location: Βασική Συλλογή Κλείσιμο περιήγησης ραφιού(Απόκρυψη περιήγησης ραφιών)
Η εικόνα εξωφύλλου δεν είναι διαθέσιμη | ||||||||
808.803 538 ΓΙΩ Η γυναίκα της ηδονής | 808.803 55 ΜΑΡ Η Γκόλφω παίζει γκοφ | 808.803 56 FAD Fantasia mathematica : | 808.803 582 ΚΕΦ The conquered : Byzantium and America on the cusp of modernity / | 808.803 62 ΑΝΘ Άνθρωποι και ζώα στη νεοελληνική λογοτεχνία : από τις αρχές (12οςαι.) ώς σήμερα / | 808.803 829 221 1 GOD Gods and mortals in greek and latin poetry : studies in honor of Jenny Strauss Clay / | 808.803 9 IRI Le livre Grec des origines a la Renaissance / |
Περιλαμβάνει βιβλιογραφικές παραπομπές (σ. 137-148) και ευρετήριο.
Serendipities -- Byzantium, America, and the "modern" -- Tradition and theory -- Imparting trauma -- Texts and their afterlife.
"In the middle of the fifteenth century, ominous portents like columns of fire and dense fog were seen above the skies of Constantinople as the Byzantine capital fell under siege by the Ottomans. Allegedly, similar signs appeared a few decades later and seven thousand miles away, forecasting the fall of the Mexica capital of Tenochtitlan-Tlatelolco to the Spanish and their indigenous allies. After both cities had fallen, some Greeks and Mexica turned to poetry and song to express their anguish at the birth of what has come to be called the "modern" era. This study probes issues of collective memory and cultural trauma in three sorrowful poems, the "Lament for Constantinople," the "Huexotzinca Piece," and the "Tlaxcala Piece." Composed by anonymous authors soon after the conquest of the two cities, these texts describe the fall of an empire as a fissure in the social fabric and an open wound on the body politic. They are the workings of creators who draw on tradition and historical particulars to articulate, in a familiar language, the trauma of the conquered"--