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Words for the theatre : four essays on the dramatic text / David Cole.

Κατά: Τύπος υλικού: ΚείμενοΚείμενοΣειρά: Focus on dramaturgyΛεπτομέρειες δημοσίευσης: London : Routledge, 2019.Περιγραφή: xii, 67 σ. ; 22 εκISBN:
  • lk. paper)
Θέμα(τα): Ταξινόμηση DDC:
  • 808.2 23
Περιεχόμενα:
The dramatic text as transcript and prescription -- The dramatic text as type of the text -- The theatre wants to go in -- Theatre as an event and another event; or, the sorrows of realism words for the theatre.
Περίληψη: "In Words for the Theatre, playwright David Cole pursues a course of dramaturgical self-questioning on the part of a playwright, centred on the act of playwriting. The book's four essays each offer a dramaturgical perspective on a different aspect of the playwright's practice: How does the playwright juggle the transcriptive and prescriptive aspects of their activity? Does the ultimate performance of a playtext in fact represent something to which all writing aspires? Does the playwright's process of withdrawing to create their text echo a similar process in the theatre more widely? Finally, how can the playwright counter theatre's pervasive leaning towards the 'mistake' of realism? Suited to playwrights, teachers, and higher-level students, this volume of essays offers reflections on the questions that confront every playwright, from an author well-versed in supplying words for the theatre"--
Αντίτυπα
Τύπος τεκμηρίου Τρέχουσα βιβλιοθήκη Ταξιθετικός αριθμός Αριθμός αντιτύπου Κατάσταση Ημερομηνία λήξης Ραβδοκώδικας
Book [21] Book [21] Θεατρικών Σπουδών 808.2 COL (Περιήγηση στο ράφι(Άνοιγμα παρακάτω)) 1 Διαθέσιμο 025000288667

"Routledge focus"--Εξώφυλλο.

Περιλαμβάνει βιβλιογραφία και ευρετήριο.

The dramatic text as transcript and prescription -- The dramatic text as type of the text -- The theatre wants to go in -- Theatre as an event and another event; or, the sorrows of realism words for the theatre.

"In Words for the Theatre, playwright David Cole pursues a course of dramaturgical self-questioning on the part of a playwright, centred on the act of playwriting. The book's four essays each offer a dramaturgical perspective on a different aspect of the playwright's practice: How does the playwright juggle the transcriptive and prescriptive aspects of their activity? Does the ultimate performance of a playtext in fact represent something to which all writing aspires? Does the playwright's process of withdrawing to create their text echo a similar process in the theatre more widely? Finally, how can the playwright counter theatre's pervasive leaning towards the 'mistake' of realism? Suited to playwrights, teachers, and higher-level students, this volume of essays offers reflections on the questions that confront every playwright, from an author well-versed in supplying words for the theatre"--

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