Theories of the nonobject : Argentina, Brazil, Venezuela, 1944-1969 / Mónica Amor.
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- 9780520286627
- 709.040.56 23
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709.034 COM A companion to nineteenth-century art / | 709.040 01 ΖΑΡ Επεισόδια καλλιτεχνικής παλινδρόμησης στην τέχνη του 20ού αιώνα : | 709.040 074 REC RE-culture 1 : | 709.040 56 AMO Theories of the nonobject : | 709.040 58 AUR Less is enough on architecture and ascetism / | 709.040 75 BRO Marcel Broodthaers :$ | 709.040 755 SMI Enacting others : |
Περιλαμβάνει βιβλιογραφικές αναφορές και ευρετήριο.
At painting's edge : Arte Concreto Invención, 1944-46 -- The concrete idea on its way to the nonobject, 1949-59 -- From work to frame, in between, and beyond : the topology of the nonobject, 1959-66 -- Forms of affect : Hélio Oiticica's Parangolés, 1964-65 -- Another geometry : Gego's Reticulárea, 1969-77.
"Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete, neoconcrete, and constructivist practices of artists in Argentina, Brazil, and Venezuela, with case studies of specific movements, artists, and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959, with specific attention to a group of major art figures including Lygia Clark, Hélio Oiticica, and Gego, whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical, economic, and political underpinnings of geometric abstraction in post-World War II South America, Amor highlights the overlapping inquiries of artists and critics who, working on the periphery of European and US modernism, contributed to a sophisticated conversation about the nature of the art object"--Provided by publisher.