Realism in Greek cinema : from the post-war period to the present / Vrasidas Karalis.
Τύπος υλικού:
ΚείμενοΣειρά: Tauris World Cinema SeriesΛεπτομέρειες δημοσίευσης: London ; New York : I.B. Tauris, 2017.Περιγραφή: xi, 283 σ. : εικ.; 25 εκISBN: - 9781780767291
- 1780767293
- 791.430 9495 23
| Τύπος τεκμηρίου | Τρέχουσα βιβλιοθήκη | Ταξιθετικός αριθμός | Αριθμός αντιτύπου | Κατάσταση | Ημερομηνία λήξης | Ραβδοκώδικας |
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![Book [21]](https://library.upatras.gr/nereus/nereus-book-yes.png "Book [21]")
Book [21]
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Θεατρικών Σπουδών | 791.430 9495 KAR (Περιήγηση στο ράφι(Άνοιγμα παρακάτω)) | 1 | Διαθέσιμο | 025000259834 |
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| 791.430 949 5 ΦΡΑ Η κωμωδία στον παλιό ελληνικό κινηματογράφο : | 791.430 949 5 ΧΡΟ 100 Χρόνια Ελληνικός Κινηματογράφος : | 791.430 949 5 ΧΡΟ 40 χρόνια Λέσχη (1978-2018) / | 791.430 9495 KAR Realism in Greek cinema : | 791.430 9495 PSA The queer greek weird wave : | 791.430 9495 WOR World film locations . | 791.430 9495 ΧΑΜ Η χαμένη λεωφόρος του ελληνικού σινεμά / |
Περιλαμβάνει βιβλιογραφία και ευρετήριο.
1. Realisms and the question of form in Greek cinema -- 2. The construction and deconstruction of cinematic realism in Michael Cacoyannis' films -- 3. Nikos Koundouros and the cinema of cruel realism -- 4. Yannis Dalianidis and the cryptonymies of visuality -- 5. An essay on the ocular poetics of Theo Angelopoulos -- 6. The feminine gaze in Antoinette Angelidi's cinema of imaginative cathedrals -- 7. Greek cinema in the age of the spectacle.
This book explores the development of post-1945 Greek cinema focusing on the work of some of its most influential and internationally known film-makers. After examining the foundational historical and stylistic questions of Greek cinematic tradition, it discusses the work of Michael Cacoyannis, the first director who brought Greek cinema to international repute with his famous films Stella, Electra, Zorba the Greek amongst others. After him, the book presents for the first time in English the seminal work of Nikos Koundouros probably the most innovative and versatile film-maker of the country. Together with them, Yannis Dalialidis was the most commercially successful and prolific director of the Golden Age of Greek cinema during the sixties. His underestimated work is discussed with special emphasis on films made between 1965 and 1975. Any discussion of Greek cinema would have been incomplete without mentioning the work of its most celebrated auteur Theo Angelopoulos. The analysis gives foregrounds his use of colour, mise-en-scene and continuity from his early political films to his later incomplete projects. After him, the book explores the diversity of cinematic styles that thrived in the country especially during the seventies. The work of Antouanetta Angelidi gives the opportunity to study women's cinema and the local tradition of experimental or poetic film-makers. Finally, the book explores contemporary Greek film-makers, in an era when the Greek society is experiencing one of its greatest crises.
