Στοιχεία MARC
| 000 -LEADER |
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| fixed length control field |
03625cam a2200349 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
17924964 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
GR-PaULI |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240610130912.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
240610t20142014sz a g b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2013954294 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
303430966X |
| Qualifying information |
(pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9783034309660 |
| Qualifying information |
(pbk.) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
YDXCP |
| Language of cataloging |
gre |
| Description conventions |
AACR2 |
| Transcribing agency |
YDXCP |
| Modifying agency |
BTCTA |
| -- |
QGK |
| -- |
YNK |
| -- |
CDX |
| -- |
NDD |
| -- |
OCLCQ |
| -- |
OCLCF |
| -- |
DLC |
| -- |
GR-PaULI |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.040 75 |
| Edition number |
23 |
| 245 00 - TITLE STATEMENT |
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| Title |
Performativity in the gallery : |
| Remainder of title |
staging interactive encounters / |
| Statement of responsibility, etc. |
Outi Remes, Laura MacCulloch and Marika Leino (eds). |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc. |
Oxford : |
| Name of publisher, distributor, etc. |
Peter Lang, |
| Date of publication, distribution, etc. |
2014. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
x, 247 σ. : |
| Other physical details |
εικ. ; |
| Dimensions |
23 εκ. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Cultural interactions. Studies in the relationship between the arts ; |
| Volume/sequential designation |
31 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Περιλαμβάνει βιβλιογραφία και ευρετήριο. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction -- Part I Art History and its Challenged Position to Performative Encounters -- Lies, Lies, It’s All Lies I Tell You! -- Collecting Performance-Based Art: New Challenges and Shifting Perspectives -- Exhibiting Performance, Staging Experience -- Histories of Interaction and Participation: Critical Systems from New Media Art -- From Event to Archive and to Event Again -- Part II From Curator to Viewer -- Participation in the Gallery: (Re)negotiating Contracts -- Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum -- Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool to Explore the Liminal Space between Art and Theatre and its Capacity for Confrontation -- Crowd Control: Encountering Art’s Audiences -- Part III Curating Participation in the Gallery: Case Studies -- At Play: Curatorial Notes about Playfulness -- Attending the Gallery -- Like Shadows: A Celebration of Shyness -- South African Live Art and the Representation of its Residue: On Gabrielle Goliath’s Stumbling Block.<br/> |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art’s interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer’s access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces.<br/>The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Παραστατική τέχνη |
| 9 (RLIN) |
176818 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Εννοιολογική τέχνη |
| 9 (RLIN) |
32961 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Διαδραστική τέχνη |
| 9 (RLIN) |
160965 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Παραστατικές τέχνες και μουσείο. |
| 9 (RLIN) |
204135 |
| 700 #4 - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Remes, Outi. |
| 9 (RLIN) |
204138 |
| Relator term |
επιμελητής |
| 700 #4 - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
MacCulloch, Laura. |
| 9 (RLIN) |
204140 |
| Relator term |
επιμελήτρια |
| 700 #4 - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Leino, Marika. |
| 9 (RLIN) |
204141 |
| Relator term |
επιμελήτρια |
| 830 ## - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Cultural interactions |
| 9 (RLIN) |
204134 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book [21] |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| Cataloger's initials, CIN (RLIN) |
ΜΑΝΙΑ |
| First Date, FD (RLIN) |
2024-06 |
