Στοιχεία MARC
| 000 -LEADER |
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| fixed length control field |
03401cam a2200325 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
22309928 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
GR-PaULI |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240531140215.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
240531s2022 enka g b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2021052044 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350144194 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350144187 |
| Qualifying information |
(softcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781350144217 |
| Qualifying information |
(epdf) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781350144200 |
| Qualifying information |
(epub) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
LBSOR/DLC |
| Language of cataloging |
gre |
| Description conventions |
AACR2 |
| Transcribing agency |
DLC |
| Modifying agency |
DLC |
| -- |
GR-PaULI |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
852.05 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Pietropaolo, Domenico, |
| Dates associated with a name |
1949- |
| Relator term |
συγγραφέας |
| 245 14 - TITLE STATEMENT |
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| Title |
The commedia dell'arte / |
| Statement of responsibility, etc. |
Domenico Pietropaolo. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc. |
London : |
| Name of publisher, distributor, etc. |
Methuen Drama, |
| Date of publication, distribution, etc. |
2022. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xvi, 199 σ. : |
| Other physical details |
εικ. ; |
| Dimensions |
20 εκ. |
| 490 0# - SERIES STATEMENT |
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| Series statement |
Forms of drama |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references (pages 179-188) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The first professionals -- Elements of form : characters and dramatic actions -- Elements of form : the Scenario, improvisation, lazzi -- Commedia dell'arte and Ottonelli's theology -- From scenario to script : Riccoboni and Goldoni -- Riccoboni's commedia of civic responsibility -- The commedia dell'arte in Goldoni's reform -- Gozzi's fable form : a new horizon of expectations -- Commedia dell'arte and grotesque dance: Gregorio Lambranzi -- Pulcinellate and Harlequinades -- Commedia dell'arte in the opera libretto -- Continuity and transformation in the 20th century. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"What were the origins of commedia dell'arte and how did it evolve as a dramatic form over the next two centuries? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today? These are just some of the questions addressed in this authoritative overview of the dramatic, ideological and aesthetic form of commedia dell'arte. The book's three sections examine the changing role of performers and playwrights, improvisatory scenarios and scripted performance, and its function as a vehicle for social criticism, to offer readers a clear understanding of commedia dell'arte's evolution in Renaissance Italy. This study throws new light on the role of women performers; its changing ideological discourse, which included social reform and, later, conservatism and the alienation of ethnic minorities in complicity with its audience; and its later adaptation into hybrid forms including grotesque dance and the giullarata typified by the work of Dario Fo. In a commedia dell'arte play, the agents of the dramatic action are stock characters identified by costume, dialect, style of movement, dramatic function and social class, and they are, among other things, vehicles of the troupe's social criticism. A major product of the new entertainment industry of the Renaissance, commedia dell'arte rose quickly to a position of dominance in the European comic theatre. By the middle of the 18th century, it started to practice more genteel forms of humour and to mutate into other genres, such as the Harlequinade, grotesque dance and scripted comedy, becoming in the process an artistic accomplice of the counter-Enlightenment"-- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Commedia dell'arte |
| General subdivision |
History and criticism. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
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| Relationship information |
Online version: |
| Main entry heading |
Pietropaolo, Domenico, 1949- |
| Title |
Commedia dell'arte |
| Place, publisher, and date of publication |
London ; New York : Methuen Drama 2022 |
| International Standard Book Number |
9781350144217 |
| Record control number |
<a href="(DLC) 2021052045">(DLC) 2021052045</a> |
| 830 ## - SERIES ADDED ENTRY--UNIFORM TITLE |
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| 9 (RLIN) |
203919 |
| Uniform title |
Forms of drama |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book [21] |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
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| Cataloger's initials, CIN (RLIN) |
ΜΑΝΙΑ |
| First Date, FD (RLIN) |
2024-05 |
