Theory for theatre studies : (Αριθ. εγγραφής 215002)

Στοιχεία MARC
000 -LEADER
fixed length control field 04314cam a2200325 i 4500
001 - CONTROL NUMBER
control field fs8nmbb7c0z2ptwk
003 - CONTROL NUMBER IDENTIFIER
control field GR-PaULI
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230126111844.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 230126s2021 e ||||g|b||||001 ||eng|d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781350026360
Qualifying information pb
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781350026377
Qualifying information hb
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9782350026384
Qualifying information ebook
040 ## - CATALOGING SOURCE
Original cataloging agency SEK
Language of cataloging gre
Description conventions AACR2
Transcribing agency GR-PaULI
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 792.01
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Fensham, Rachel
Relator term συγγραφέας
245 10 - TITLE STATEMENT
Title Theory for theatre studies :
Remainder of title movement /
Statement of responsibility, etc. Rachel Fensham.
246 13 - VARYING FORM OF TITLE
Title proper/short title Movement
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. London :
Name of publisher, distributor, etc. Methuen,
Date of publication, distribution, etc. 2021.
300 ## - PHYSICAL DESCRIPTION
Extent x, 191 σ. ;
Dimensions 20 εκ.
490 1# - SERIES STATEMENT
Series statement Theory for Theatre Studies
504 ## - BIBLIOGRAPHY, ETC. NOTE
Linkage Περιλαμβάνει βιβλιογραφία και ευρετήριο.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Movement: Introduction: Movement of vital beings: Aristotle -- Movement as bodily technique: Mauss -- Rhythmic movement: Lefebvre -- Case Study: 1980, Bandoneon -- About this book -- SECTION ONE : Movement as History : The chorus: Ancient Greek theatre -- 'the flower': Japanese Noh -- Case Study #1: Antigone (2017) -- Gestural: Roman rhetoric -- Case Study #2: I Am My Own Wife (2003) -- Style: The Natyasastra -- Case Study #3: Zero Degrees (2005) -- Processions: medieval theatre -- Anti-theatrical hostility : moral censorship -- Vernacular to cosmos : Renaissance theatre -- Case Study #4: The Tempest (1611, 2016) -- Automata and puppets: theatres of science -- Case Study #5: War Horse (2007) -- Conclusion -- SECTION TWO : Movement Systems and Embodied Action -- Holistic Systems: Craig, Delsarte and Dalcroze -- Case Study #1: Operation Orfeo (1993) -- Vitality: Bergson and Merleau-Ponty -- Plasticity: Stanislavski -- Case Study #2: Hedda Gabler (2005) -- Mechanics: Meyerhold -- Case Study #3, part a: The Constant Prince (1915) -- Dynamics: Laban -- Arrangement: Brecht -- Case Study #4: Mother Courage and Her Children (1949, 2006) -- Somatics: Grotowski -- Case Study #3, part b: The Constant Prince (1965) -- Assemblage: Butoh -- Crowds: Canetti -- Case study #5: Audience -- Conclusion -- SECTION THREE :Movement in Contemporary Theatre -- Speed: Attempts on Her Life (1997, 2007) -- Slowness: The Artist is Present (2010) -- Animation: Blackie Blackie Brown (2018) -- Force: World Factory (2014), Made in Bangladesh (2015) and World Factory (2016) -- Conclusion.<br/><br/>
520 0# - SUMMARY, ETC.
Summary, etc. "How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre?? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies.?A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises."
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Παραστατικές τέχνες
9 (RLIN) 162210
General subdivision Θέατρο
-- Ιστορία και κριτική.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Χορός και παραστατικές τέχνες.
9 (RLIN) 195721
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Θέατρο
General subdivision Θεωρία
9 (RLIN) 7896
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Theory for theatre studies
9 (RLIN) 195702
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book [21]
998 ## - LOCAL CONTROL INFORMATION (RLIN)
Cataloger's initials, CIN (RLIN) ΜΑΝΙΑ
First Date, FD (RLIN) 2023-01
Αντίτυπα
Lost status Home library Current library Inventory number Total Checkouts Full call number Barcode Koha item type
  Θεατρικών Σπουδών Θεατρικών Σπουδών 017429   792.01 FEN 025000296782 Book [21]
Πανεπιστήμιο Πατρών, Βιβλιοθήκη & Κέντρο Πληροφόρησης, 265 04, Πάτρα
Τηλ: 2610969621, Φόρμα επικοινωνίας
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