Στοιχεία MARC
| 000 -LEADER |
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| fixed length control field |
03901cam a2200349 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
21560884 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
GR-PaULI |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230126094345.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
230125s2021 nyu g b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2020024855 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350030848 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350030855 |
| Qualifying information |
(hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9781350030862 |
| Qualifying information |
(epub) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9781350030879 |
| Qualifying information |
(ebook) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
gre |
| Description conventions |
AACR2 |
| Transcribing agency |
DLC |
| Modifying agency |
GR-PaULI |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
792.01 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Tait, Peta, |
| Dates associated with a name |
1953- |
| Relator term |
συγγραφέας |
| 245 10 - TITLE STATEMENT |
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| Title |
Theory for theatre studies : |
| Remainder of title |
emotion / |
| Statement of responsibility, etc. |
Peta Tait. |
| 246 13 - VARYING FORM OF TITLE |
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| Title proper/short title |
Emotion |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc. |
London : |
| Name of publisher, distributor, etc. |
Methuen, |
| Date of publication, distribution, etc. |
2021. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
viii,188 σ. ; |
| Dimensions |
20 εκ. |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
Theory for theatre studies |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Περιλαμβάνει βιβλιογραφία και ευρετήριο. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction: Approach and Concepts : The Emotions -- Emotional Feelings -- Affect and its Theory -- Mood -- Cultural Complexities and Empathy -- Section one: Legacies and Case Studies : Aristotle on tragic pity and Euripides' Medea -- Shakespeare's comic lovers: Performing the Passions -- The actor's paradox: eighteenth– and nineteenth-century staging -- Stanislavski's Emotion Memory and realist theatre -- Controversial psychologies in Method Acting -- Brecht's separations: theatre for a scientific age -- Brecht's political emotions: The Caucasian Chalk Circle -- Emotional practice from Forum Theatre to Rasaboxes -- Section two: Affect and Case Studies : Emotional feeling to affect in A Doll's House -- Affect and technology: live art and spectacle -- Real identities and political affect -- Empathy enabled: Empathy Museum to Back to Back -- Suffering in Jane Harrison's Stolen -- Feeling sound and images: Robert Lepages's Needles and Opium and 887 -- Section three: Mood and Case Studies : Mysterious aesthetic -- Audience expectations and The Lion King -- Ambience from Socìetas Raffaello Sanzio -- Music functions and Rimini Protokoll's Brain Projects -- Economic mood dis/orders: Alladeen to Dear Evan Hansen -- Immoral objects and The Wooster Group -- Share economies and Marina Abramovic -- Collaborative eco-moods -- Anticipation -- Conclusion: Intensity -- References -- Index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"Emotion explores how emotion is communicated in drama, theatre and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, from Brecht to Caryl Churchill, drama and theatre are revealed to inform but also to warn about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed and in relation to interdisciplinary approaches. Students and other readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include productions of Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component"-- |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Συναισθήματα στις παραστατικές τέχνες. |
| 9 (RLIN) |
195703 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Παραστατικές τέχνες |
| 9 (RLIN) |
162210 |
| General subdivision |
Θέατρο |
| -- |
Ιστορία και κριτική. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Παραστατικές τέχνες |
| 9 (RLIN) |
195704 |
| General subdivision |
Θέατρο |
| -- |
Παραγωγή και σκηνοθεσία. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| 9 (RLIN) |
195702 |
| Uniform title |
Theory for theatre studies |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book [21] |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
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| Cataloger's initials, CIN (RLIN) |
ΜΑΝΙΑ |
| First Date, FD (RLIN) |
2023-01 |
