Στοιχεία MARC
| 000 -LEADER |
|---|
| fixed length control field |
03482nam a22003257a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
GR-PaULI |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20221013102241.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
200831s2012 enka|||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780262017749 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
GR-PaULI |
| Language of cataloging |
gre |
| Transcribing agency |
GR-PaULI |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| Language code of original |
ita |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
741.018 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
182603 |
| Personal name |
Scolari, Massimo |
| Dates associated with a name |
1943- |
| Relator term |
συγγραφέας. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Oblique drawing : |
| Remainder of title |
a history of anti-perspective / |
| Statement of responsibility, etc. |
Massimo Scolari ; introduction by James S. Ackerman ; translated from the Italian by Jenny Condie Palandri. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc. |
London, England ; |
| -- |
Cambridge, MA : |
| Name of publisher, distributor, etc. |
MIT Press, |
| Date of publication, distribution, etc. |
[2012] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xiii, 389 σ. : |
| Other physical details |
εικ. ; |
| Dimensions |
24 εκ. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Writing architecture |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Περιλαμβάνει βιβλιογραφικές αναφορές και ευρετήριο |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
1. Elements For A History of Axonometry -- 2. Spatial Illusionism in Pompeian Wall Paintings -- 3. Oblique Drawing -- 4. The Idea of Model -- 5. Brunelleschi's Model for the Dome of Santa Maria Del Fiore And the Gherardi Drawing -- 6. Demonstration Figures -- 7. Machinations -- 8. Soldierly Perspective -- 9. Drawing in Paralleli Modo -- 10. The Jesuit Perspective In China -- 11. The Tower of Babel: Form And Representation. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
For more than half a century, Erwin Panofsky's Perspective as Symbolic Form has dominated studies of visual representation. Despite the hegemony of central projection, or perspective, other equally important methods of representation have much to tell us. Parallel projection can be found on classical Greek vases, in Pompeiian frescoes, in Byzantine mosaics; it returned in works of the historical avant-garde, and remains the dominant form of representation in China. In Oblique Drawing, Massimo Scolari investigates "anti-perspective" visual representation over two thousand years, finding in the course of his investigation that visual and conceptual representations are manifestations of the ideological and philosophical orientations of different cultures. Images prove to be not just a form of art but a form of thought, a projection of a way of life. Scolari's generously illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari vividly demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
182604 |
| Topical term or geographic name as entry element |
Αξονομετρική προβολή |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
182605 |
| Topical term or geographic name as entry element |
Πλάγια προβολή |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
133723 |
| Topical term or geographic name as entry element |
Σχέδιο |
| General subdivision |
Τεχνική |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
25631 |
| Personal name |
Ackerman, James S. |
| Relator term |
συγγραφέας προλόγου |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
182606 |
| Personal name |
Palandri, Jenny Condie |
| Relator term |
μεταφράστρια. |
| 765 ## - ORIGINAL LANGUAGE ENTRY |
|---|
| Relationship information |
Μετάφραση του : |
| Title |
Disegno obliquo. |
| 830 ## - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Writing architecture |
| 9 (RLIN) |
166601 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book [21] |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| Cataloger's initials, CIN (RLIN) |
ΚΗΠΟΥΡΓΟΥ |
| First Date, FD (RLIN) |
2020-08 |
