Στοιχεία MARC
| 000 -LEADER |
|---|
| fixed length control field |
04179aam a22002777i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
3173813 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20210117210210.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
160927s2001 us a f b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2001003695 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0814751601 |
| Qualifying information |
(alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
081475161X |
| Qualifying information |
(pbk. : alk. paper) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
gre |
| Transcribing agency |
DLC |
| Modifying agency |
C#P |
| -- |
OrLoB-B |
| -- |
GR-PaULI |
| Description conventions |
AACR2 |
| 041 0# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.430 973 |
| Edition number |
23 |
| 245 04 - TITLE STATEMENT |
|---|
| Title |
The end of cinema as we know it : |
| Remainder of title |
American film in the nineties / |
| Statement of responsibility, etc. |
edited by Jon Lewis. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
New York University Press, |
| Date of publication, distribution, etc. |
c2001. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
x, 385 σ. : |
| Other physical details |
εικ. ; |
| Dimensions |
23 εκ. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Περιλαμβάνει βιβλιογραφία και ευρετήριο. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents note: I Movies, Money, and History -- I The Blockbuster: Everything Connects, but Not -- Everything Goes 11 -- Thomas Elsaesser -- 2 Those Who Disagree Can Kiss Jack Valenti's Ass 23 -- Jon Lewis -- 3 The Hollywood History Business 33 -- Jan-Christopher Horak -- 4 The Man Who Wanted to Go Back 43 -- Murray Pomerance -- II Things American (Sort Of) -- 5 "American" Cinema in the 1990s and Beyond: Whose -- Country's Filmmaking Is It Anyway? 53 -- Charlie Keil -- 6 Marketing Marginalized Cultures: The Wedding Banquet, -- Cultural Identities, and Independent Cinema of the 1990s 61 -- Justin Wyatt -- 7 Hollywood Redux: All about My Mother and Gladiator 72 -- Hilary Radner -- III Four Key Films -- 8 The Zen of Masculinity-Rituals of Heroism in The Matrix 83 -- Pat Mellencamp -- 9 Ikea Boy Fights Back: Fight Club, Consumerism, and the Political Limits of Nineties Cinema 95 -- Henry A. Giroux and Imre Szeman -- I 0 The Blair Witch Project, Macbeth, and the Indeterminate End 105 -- Eric S. Mallin -- I I Empire of the Gun: Steven Spielberg's Saving Private Ryan -- and American Chauvinism 115 -- Frank P.Tomasulo -- 12 Saving Private Ryan Too Late 131 -- Krin Gabbard -- IV Pictures and Politics -- 13 The Confusions of Warren Beatty 141 -- Dana Polan -- 14 Movie Star Presidents 150 -- Thomas Doherty -- 15 The Fantasy Image: Fixed and Moving 158 -- Maureen Turim -- 16 Men with Guns: The Story John Sayles Can't Tell 168 -- Ralph E. Rodriguez -- 17 The End of Chicano Cinema 175 -- Chon A. Noriega -- V The End of Masculinity As We Know It -- 18 Being Keanu 185 -- R. L. Rutsky -- 19 Woody Allen, "the Artist," and "the Little Girl" 195 -- David R. Shumway -- 20 Affliction: When Paranoid Male Narratives Fail 203 -- Marita Sturken -- 21 The Phallus UnFetished: The End of Masculinity As We -- Know It in Late-1990s "Feminist" Cinema 210 -- Alexandra Juhasz -- VI Bodies at Rest and in Motion -- 22 Bods and Monsters: The Return of the Bride of Frankenstein 225 -- ElizabethYoung -- 23 Having Their Cake and Eating It Too: Fat Acceptance -- Films and the Production of Meaning 237 -- Jerry Mosher -- VII Independents -- 24 A Rant 253 -- James Schamus -- 25 The Case of Harmony Korine 261 -- Robert Sklar -- 26 Where Hollywood Fears to Tread: Autobiography and -- the Limits of Commercial Cinema 269 -- Kathleen McHugh -- 27 Smoke 'til You're Blue in the Face 277 -- Murray Smith -- VIII Not Films Exactly -- 28 Pamela Anderson on the Slippery Slope 287 -- Chuck Kleinhans -- 29 King Rodney: The Rodney King Video and Textual Analysis 300 -- Hamid Naficy -- 30 Live Video 305 -- Laura U. Marks -- IX Endgames -- 31 End of Story: The Collapse of Myth in Postmoder -- Narrative Film 319 -- Christopher Sharrett -- 32 Waiting for the End of the World: Christian Apocalyptic -- Media at the Turn of the Millennium 332 -- Heather Hendershot -- 33 The Four Last Things: History, Technology, Hollywood, -- Apocalypse 342 -- Paul Arthur -- 34 Twenty-five Reasons Why It's All Over 356 -- Wheeler Winston Dixon. |
| 650 04 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Κινηματογράφος |
| Geographic subdivision |
Ηνωμένες Πολιτείες Αμερικής |
| General subdivision |
Ιστορία |
| 9 (RLIN) |
111857 |
| 650 04 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Κινηματογράφος, Βιομηχανία του |
| Geographic subdivision |
Ηνωμένες Πολιτείες Αμερικής |
| 9 (RLIN) |
157048 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Lewis, Jon, |
| Dates associated with a name |
1955- |
| 9 (RLIN) |
157049 |
| Relator term |
επιμελητής |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book [21] |
| 948 2# - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
|---|
| Series part designator, SPT (RLIN) |
20130819 |
| b (OCLC) |
a |
| c (OCLC) |
rad1 |
| d (OCLC) |
MPS |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| Cataloger's initials, CIN (RLIN) |
ΜΑΝΙΑ |
| First Date, FD (RLIN) |
2016-09 |
